Fake Mirror

by Xandra Popescu and Larisa Crunteanu
We live in the rhythm of the layers that contain us, the rhythms of two realities advancing and retiring in the same time. Two worlds cannibalize each other in the inertia of separation.

According to Debord separation is the alpha and omega of the spectacle. At the foundation of his concept of the society of the spectacle is the affirmation of a radical transition of direct experience towards representation. The image as index of looking becomes the opposition of knowledge. To look means to remain outside, contemplating a reality that has ceased to find an ideal unity.
We advance towards the invisible with the illusion of a dialogue. On both the stages, figures of the other are being introduced continuously, rejecting any dramaturgical development.

The two video frames intersect in a tight angle, paradoxically passing behind each other.

Fake Mirror